About
An experimental electronic artist who crafts dreamlike, sensitive hypnagogic states through a blend of field recordings and processed electronic sounds.
Ronnie Sundin’s defining contribution to electronic and experimental music lies in his ability to conjure dreamlike, sensitive hypnagogic states through a blend of field recordings and processed electronic sounds. Since the late '90s, Sundin has explored a wide range of styles, from noisy tape collages to quieter, more contemplative compositions. His work under the moniker Bad Kharma showcased a raw, aggressive aesthetic, while his later output on labels like Komplott and Ground Fault revealed a more nuanced, introspective sound. Sundin’s evolution reflects a deep engagement with both the chaotic and serene aspects of electronic music, making him a vital figure in the experimental scene. His early work as Bad Kharma was characterized by harsh, industrial sounds and tape collages influenced by The Hafler Trio and Merzbow. However, Sundin’s approach shifted dramatically in the early 2000s, moving towards a quieter, more ambient style. Albums like 'Sleepwalk' and 'Morphei' exemplify this transition, showcasing delicate textures and ethereal atmospheres.
- · Ronnie Sundin began recording and producing music in 1973.
- · During the late '90s, Sundin operated under the name Bad Kharma, releasing a series of self-produced tapes on his BonBon Records imprint.
- · In the early 2000s, Sundin’s style evolved into a quieter, more ambient approach, utilizing field recordings and processed electronic sounds.
- · Albums like 'Sleepwalk' (2001) and 'Morphei' (2002) showcase Sundin’s transition to a more contemplative sound.
- · Sundin has released records on critically acclaimed labels such as Komplott and Ground Fault.
Albums 6
Morphei
2002
Sleepwalk
2001
Intransitive Twenty-Three
2004
Another Kind Of Language: Dedicated To Andrei Tarkovsky
2003
Seismo
2002
Starfield Simulation 01
2001
EPs 1
Singles 1
Appears On 7
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Mood & Energy
Sounds like: electronic, ambient, drone