Ernst Reijseger
About
Dutch cellist and composer operating within free jazz, free improvisation, and avant-garde jazz traditions.
Ernst Reijseger—born November 13, 1954, in Bussum, Netherlands—emerges as a contemporary cellist whose work redefined instrumental possibilities within jazz and experimental music. The cello’s presence within jazz and improvisation contexts remains relatively unusual relative to saxophone, trumpet, or percussion emphasis, making Reijseger’s sustained engagement with the instrument historically significant. Free jazz emerged in the 1960s as an approach to jazz emphasizing collective improvisation and the systematic dismantling of harmonic, metric, and structural conventions, creating music prioritizing interaction and spontaneous creation over predetermined forms. Free improvisation extends these approaches beyond jazz-specific traditions, incorporating musicians from various backgrounds and training frameworks into ensemble contexts emphasizing genuine spontaneity and mutual listening. Avant-garde jazz represents another approach to jazz’s radical reimagining, emphasizing compositional ambition and theoretical complexity alongside improvisation. Reijseger’s engagement with all three categories—free jazz, free improvisation, and avant-garde jazz—demonstrates a commitment to continuously expanding improvisational and compositional practice. His cellist background positions him as a classical musician engaging jazz traditions rather than a jazz musician incorporating classical elements, creating particular theoretical and practical challenges and possibilities. Dutch experimental music traditions—informed by European contemporary classical music and electronic music developments—positioned the Netherlands as a significant location for avant-garde music practice. Reijseger’s international touring and recording activity extends Dutch experimental music influence globally. The cello’s tonal characteristics and technical possibilities—the ability to sustain long tones, execute rapid figurations, and occupy melodic and harmonic space simultaneously—create particular expressive resources within improvisation.
- · Dutch cellist
- · Born 1954
- · Free jazz practitioner
- · Avant-garde jazz
- · Improvisation specialist
Albums 29
Requiem for a Dying Planet
Cave of Forgotten Dreams
Walking Out
Feature
Colla parte: Versioni per violoncello solo
Chronicle (Ernst Reijseger & Werner Herzog Film Scores)
Colla Voche
Salt and Fire
And So On
Continuum
Counterfactuals
Count Till Zen
Crystal Palace
Drawing
Dutch Masters
Et On Ne Parle Pas Du Temps
Flex 27
Flüchtigkeiten
I Love You So Much It Hurts
Janna
Loft Exil 3
My Son, My Son, What Have Ye Done
Sonic Fiction
Taiming
Tell Me Everything
Tumulti
Used to Be Friends
Zembrocal Musical
Zwei Naechte in Berlin
Live 2
Appears On 12
New Emotion, Volume 13
New Emotion, Vol.12
Call Sheets, Riders & Chicken Mushroom
La Planète bleue, Volume 04
Concertzender in De Toonzaal
Obsession - Hommage A Grappelli
Resurrection Part II
Strings of Fire II
The Complete Oehms Classics Recordings
The Goldberg Variations
To Yemen With Love الى اليمن بكل الحب
Villa Medici: Nata per la musica
Comments 0 comments
Sign in to join the discussion.
Member Of
5 groups
Mood & Energy
Sounds like: cello, modern composition, Fusion