Group/Band · Electronic

Click Box

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About

Click Box sculpts immersive sonic environments through precise minimalism.

Click Box, formed in 2004 in São Paulo, Brazil, is the electronic music project of Pedro Turra and Marco A.S. Emerging from a desire to move beyond conventional techno, the duo crafts minimalist electronic soundscapes rooted in techno and house music. Their productions are characterized by a deliberate restraint, employing a limited number of elements to create dynamic textures that oscillate between tension and tranquility. The project’s name reflects the deconstruction of musical forms, prioritizing rhythmic and timbral experimentation within a dancefloor context. Marco A.S. brings significant experience to the project, having co-founded the pioneering live electronic act Influx and contributing remixes for prominent Brazilian artists including Jota Quest and Fernanda Abreu. Click Box’s work consistently explores vanguard and futuristic approaches to electronic music, solidifying its position within the Brazilian electronic music landscape.

Their discography includes releases such as the 2008 single “Body Is to Acid / Dance of the Sugar Plums Fairy,” the 2008 EP “Espaço e Tempo,” and the 2009 EPs “Shades,” “Wake Up Call,” and “Down Over.”, demonstrating a consistent exploration of minimalist and experimental electronic sounds.

Sound

Click Box produces hypnotic, minimalist techno and house music characterized by sparse arrangements and evolving textures.

Scene

Click Box contributes to the experimental edge of the Brazilian electronic music scene, building upon a legacy of pioneering live electronic acts.

Timeline

· Formed in São Paulo, Brazil in 2004 by Pedro Turra and Marco A.S.
· Marco A.S. co-founded the influential live electronic act Influx, which lasted for nine years.
· Click Box’s sound is rooted in techno and house music, emphasizing minimalist construction.
· The duo has released EPs and singles consistently from 2008 to 2009.
· Marco A.S. has remixed artists such as Jota Quest, Fernanda Abreu, and Marina Lima.
· The project’s name reflects a deconstruction of musical forms.