Romowe Rikoito’s L’Automne éternel on Brudenia finds the project folding neofolk songcraft into cavernous dark ambient drones — brittle acoustic guitar and distant chant sit against low-frequency synths and metallic percussion. The result feels like ritual ambient for autumnal rites, favoring slow tempos, sparse production and palpable reverb that foregrounds text and atmosphere. It has 118 listens from six users, evidence of modest circulation among crate-diggers drawn to Brudenia’s pastoral gloom.