Two distinct poles—The Rita’s icy synth lines and Werewolf Jerusalem’s abrasive drum programming—collide on Feast & Flesh, issued by Deadline Recordings. The record sits between industrial, darkwave and EBM, trading pounding, mid-tempo beats and stuttering drum machines for cavernous reverb and snarling vocal fragments. It’s built for late-night club sets and crate-diggers who favor raw analogue bass and dystopian textures.